Saul Levine Movies

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)

Directed by Saul Levine.

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

As the crow flies, as the crow cries, as the crow alites CAWS

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth,...

A small apocalypse prophecy on the threshold of disaster world/home

Two portraits, of Lowe and McKenna, respectively. According to Levine, he was “desperately in love” with both of them.

A fim by Saul Levine

Stan Brakhage with a movie camera. Winter seascapes.

A midsummer daydream. S8mm, color/si, (18fps)

A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story. The VHS copy of this...

ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at...

A conversation with Pelle Lowe

DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement...

Directed by Saul Levine.

Camera: Sylvia Gruner & Pelle Lowe

Textures of some Polaroid pictures found buried under snow. Leather jacket as pool for them to be hit (by light).